AP 260 to 251
A different Coda for Qandisa Alaha (Trisagion in Syriac). Fr Sebastian Sankoorikal.
Call Number | AP 252B |
Part Number | Part I - Syro Malabar Church |
Title | A different Coda for QANDISA ALAHA. Fr Sebastian Sankoorikal. |
Duration | 4:12 |
Place of Recording | |
Date of Recording | |
Youtube URL | https://www.youtube.com/watch?v=bx7jjvSBwoQ |
Video Segment (s) |
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Notes
Here is another example of the performance practice (manner of singing) of the Syriac Trisagion. Fr. Sebastian Sankoorikal designed this format with his choir members, The choir sings the first incipit (deacon's invitation) in 4/4 rhythm. The celebrant sings the text and concludes with the second incipit (the first part of the minor doxology), the choir sings the second time and concludes with the third incipit (the response to the minor doxology). The third iteration of the song text is replaced by the coda. The celebrant and choir sing the four verses of the text in a call-response style. The choir's portion is accompanied by the percussion instruments in an unmeasured tremolo manner. The choir concludes the chant with the deacon's invitation to pray for peace. The video adds to our collection of multiple samples of singing Qandisa Alaha for the benefit of researchers on the music of the Syriac era of the Syro Malabar Church. Joseph J. Palackal, CMI New York 23 October 2021
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